Macro meaning1/23/2024 “Particularly if you’re using a slower shutter speed, because macro shots are so dark, you have to use a one- or two-second shutter speed. “If you’re working at magnification, then camera shake becomes very critical,” Long says. A good setup is key to keep the camera body steady. Motion always has the potential to add blur to a photo, and much like all aspects of macro photography, that issue increases with small subjects and scenes. You might be sitting in front of a great macro subject and have no idea.”Īs your eye develops for macro subjects (“You just have to do a lot of macro shooting before you start to get a sense of what’s going to make good subject matter, where the best angle might be,” Long says), you’ll begin to see certain difficulties that arise with this specialized skill. “Because when you’re going into macro distances, things just look completely different than what you see in the real world. “I think the hardest thing about macro photography is actually previsualization - learning to recognize what a good macro subject might be,” says Long. “I think the hardest thing about macro photography is actually previsualization - learning to recognize what a good macro subject might be.”īut when you’re having to adjust your perspective so significantly, where you find the right subjects and angles can be a real challenge. “It’s always the job of the photographer to ensure that they’ve organized the frame and used all of the expressive mechanisms they have - like depth of field, motion stopping power, and the control of light and shadow - so that the viewer immediately knows what the subject of the image is.” “What makes a great macro image is the same thing that makes any great photograph great,” Long explains. “It’s an alien world when you get into the macro level,” says photographer and teacher Ben Long. But that need is magnified, literally, when you’re changing your perspective to work on the very small level of macro photography - shooting bugs and other small items that live in a world apart from most photos you’ll shoot. “It’s an alien world when you get into the macro level.”Īsking yourself these questions and thinking through the logistics are skills you want to build as a budding photographer. Are you shooting with a prime lens or from a distance with a telescopic lens? Or is this a live event, and do you need to come prepared to use a few lenses? ![]() Who’s your subject, and where are you shooting them? What’s the lighting like, and how might that affect the shot? Are you shooting from above or below? Is the subject on the move, or are you moving as you find the right angle on a stationary landscape? And then you can get into the gear-related questions. ![]() Photography is always a matter of perspective.
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